For the gold and ivory outfit, I ended up redrafting and recutting the top. I am much happier with how it looks now. The sleeve has much more movement and is more dramatic than the original design I submitted to the fashion show. I also redid the unfinished edges of the skirt and added an off-the-shoulder strap with hand-sewn appliqués I made on my machine.
The third ensemble is still a work in progress. I still need to add the buttons, buttonholes, and hem the top. I need to completely redo the skirt, as I just quickly basted the pieces together to have all three ensembles put together enough for my photoshoot. I also decided not to make the sheet overskirt I had originally planned to go with the third ensemble. I cut out the pieces, but when I pinned them in place over the box-pleated midi-skirt, it looked very awkward. I think the fabrication I chose for the underskirt, a cotton twill, is creating too much volume for the overskirt to look right. I also decided to make the under pleat of the midi-skirt in a contrasting fabric to add more texture, and I actually like this addition better than the overskirt idea. To incorporate the gold satin-faced silk organza, I still used it for the bow that is tied under the collar.












